Boulez

常見(jiàn)例句

• Boulez said he was attracted by the unconventional form of "From the House of the Dead.
  布萊茲說(shuō),他是沖著傳統(tǒng)形式的"出家門(mén)的死"的。
• Pierre Boulez completes his monumental Mahler cycle with a spectacular “Symphony of a Thousand” .
  這首“千人交響曲”，不知會(huì)讓好大喜功的白癡們有些什么翩翩聯(lián)想。
• Boulez calls the piece a ceremony of remembrance and extinction and the way in which these musics appear and gradually dissolve is very moving, very simple, very still.
  布列茲把這個(gè)作品稱(chēng)為對(duì)于回憶和消逝的紀(jì)念儀式，這種音樂(lè)出現(xiàn)的方式以及逐漸消散的過(guò)程，本身就很動(dòng)人，很樸素也很有靜觀的味道。
• Boulez is a musical theorist and composer of international importance. But in France his approach, once revolutionary, has ossified into a kind of state approved mainstream. Works by more conventional composers go for the most part unheard.
  布列是位有國(guó)際影響的音樂(lè)理論家和作曲家，但是在法國(guó)，他的探索，雖一度是革命性的，也漸漸僵化到國(guó)家認(rèn)可的主流之中去了。較為庸常的作曲家的作品就大都默默無(wú)聞了。
• Where are the heirs of Moliere, of Balzac, of Cezanne, of Sartre, of Berlioz? French classical music has been dominated for 30 years by the avant-garde "organized delirium" of Pierre Boulez.
  莫里哀、巴爾扎克、切贊、薩特、柏遼茲的繼承人哪兒去了?法國(guó)古典樂(lè)壇已被皮埃爾·布列的先鋒派“有機(jī)癲狂”把持三十年之久。
• Music Composition and Conducting Art of Boulez
  論布萊茲的音樂(lè)創(chuàng)作及其指揮藝術(shù)
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